Born Umpeylia Marcema Balinton, this artist was given her stage name as well as her recording debut by rhythm and blues ubermensch Johnny Otis. He dubbed her "Little Miss Sugar Pie" in 1955, and not because she had a sweet tooth or liked to bake. "While we were in the studio he named me Sugar Pie," DeSanto recalled in an interview, "Because I was so little. I wore a size three shoe and I weighed about 85 pounds. I was very tiny." She's a half-pint in size, true, but in talent or voice assuredly not. Although typecast as a blues singer, she also takes care of business on the soul end of things and is a convincing jazz vocal stylist as well. That would be enough to gain most singers a reasonable slice of glory, but DeSanto also happens to be a hilarious comedienne, a show-stopping dancer, and a superb and highly original songwriter whose compositions have been cut by Fontella Bass, Billy Stewart, Little Milton, Bobby McClure, Minnie Riperton, Jesse James, the Dells, and the Whispers.